Wednesday 17 December 2014

The Quilts of the Underground Railroad: The Secret Communication to Freedom

I wrote this for a class in the spring. It is a final paper after learning about slavery and indentured labour. The resistance of slaves was focussed on because the slaves were not sympathetic figures; they fought back. Hidden in Plain View: The Secret Story of Quilts and the Underground Railroad is a great resource to learn more about the story of the quilts. 
The Underground Railroad was seen as a route to freedom; a dangerous journey to Canada that was undertaken by brave slaves and their allies who were determined to help them reach freedom. Do to the illegal nature of this work those who ran the Underground Railroad used hard to identify symbols to help the slaves find their way from station to station. On the other hand the slaves themselves found a way to pass the legend of the Underground Railroad without getting caught; through song. These two different forms of communication helped the Underground Railroad remain underground and away from slave owners and drivers. The safety of everyone involved in the Underground Railroad was paramount and to achieve success at moving slaves out of slavery and into Canada so they could be free. By focusing on two components of the communication methods used by the slaves and the station managers. The coded messages shared through both song and quilt were key to the safe escapes of those who decided to run. What did the codes in the quilts and in “Follow the Drinking Gourd” represent? How did the codes and the community surrounding the enslaved Africans help them preserve the heritage that the slave owners were trying to steal from them?
The Underground Railroad is the most famous way that slaves escaped to freedom in Canada. Through a series of safe houses or stations, slaves moved through the United States of America by foot until they reached Cleveland, Ohio where they were transported across Lake Erie into Canada where they would be free at last. The journey usually occurred at nighttime, with the dark allowing for some security for the slaves[1]. The journey was treacherous. If a slave was caught they were punished severely. The Underground Railroad became a way to escape the harsh conditions and to experience freedom, even if that freedom was achieved in another country.
Both former slaves and white folk who were sympathetic to the plight of the enslaved slaves facilitated the Underground Railroad. Many of the former slaves who helped facilitate the Underground Railroad were granted manumissions because of the War of Independence and their willingness to fight along side Americans to gain freedom from Great Britain[2]. These former slaves gained knowledge once they became free, but they never lost touch with the community of slaves that they knew through the plantation grapevine, a system of communication devised by the slaves to share information from plantation to plantation. This form of communication became vital to the spreading of the Underground Railroad as a means to achieve freedom. The Underground Railroad was one example of slave resistance and silent protest. Slaves did not hold power, but they were able to control their lives to a certain extent by fighting back through marooning and creating an entire system to help slaves escape to Canada.
The Underground Railroad was the silent way that slaves fought back. It was silent in the sense that it was hard to trace. The slaves and those who ran the Underground Railroad formed a system of communication that was intricate and based on both African culture and basic ideas of remaining hidden. The slaves and those who helped run the Underground Railroad used everyday items and songs to communicate the instructions for travelling on the Underground Railroad. The everyday item that was used was the quilts. Quilts were the everyday item that was used by slaves to learn the way to Canada and to communicate how to prepare. Song was used to pass the directions along. One of the most famous Underground Railroad song is the African American folk song “Follow the Drinking Gourd”. By combining the use of the quilts with the lyrics from “Follow the Drinking Gourd” it becomes apparent that communication about the Underground Railroad was coded in a way that was easy to understand, yet easy to hid from the slave masters and overseers[3].
There are two key components to the discussion of how the Underground Railroad used hidden culture to enable communication is the quilts of the Underground Railroad and the popular African American folk song “Follow the Drinking Gourd”. The oral tradition of “Follow the Drinking Gourd” has led some historians to believe that there were changes to the song from the original Creole language to the Anglicized version that is known today. By interpreting “Follow the Drinking Gourd”, valuable information about the Underground Railroad can be discovered. The route and how to travel safely are hidden within the song, which was sung by the slaves. “Follow the Drinking Gourd” traveled from plantation to plantation with slaves who were traded. Although the song has been Anglicized, the lyrics still tell the route to Canada and how to reach each key destination safely. It can be argued that the Anglicizing of “Follow the Drinking Gourd” makes it a less valuable source because of the changes made through the years as the song became a popular piece of African American music[4].
“Follow the Drinking Gourd” is a concrete example of how music influenced the use to the Underground Railroad. Due to the lack of education of slaves, there is no written documentation of their songs. The songs traveled from plantation to plantation via slaves who had be traded or sold. The song contained key instructions for the journey to Canada including how to cross the Ohio River without drowning and clues on how to find the point of crossing. Crossing the Ohio River was one of the main problems faced by the Underground Railroad because the river was dangerous, but crossing it was a key part of the journey to Canada. By using a song that was full of instructions, the slaves were given a safe way to remember how to get to Canada. “Follow the Drinking Gourd” is a verbal representation of the clues that are presented in the quilts.
The use of quilts on the Underground Railroad involved different patterns with each pattern acting as a different instruction. The quilts were used to help instruct slaves on how they were go forth in their journey to Canada. Much like “Follow the Drinking Gourd”, the quilts were used as a tool to communicate through the plantation grapevine that was hidden from the slave owners. The plantation grapevine was a tool that not only allowed slaves at different plantations to communicate, but it also allowed them to communicate with the freed slaves of the North[5]. It was this communication that allowed for the creation of the Underground Railroad because the freed slaves, many of whom had received manumission for fighting in the War of Independence, were now educated and literate. Those two factors helped the freed slaves create a simple system of communication that was difficult to break because system was based around everyday tasks that did not look out place and yet those tasks were sending valuable instructions to the slaves.
Quilts were a key form of communication because they were a household item that needed to be aired out. The quilts acted as a step-by-step guide for how to escape and what move should be next[6]. From gathering tools to when to leave; the quilts were a silent message to the slaves planning to maroon. The quilts were the safest way to communicate about escaping the oppressive system. The quilts were put out at different times to help remind of tasks that needed to be completed or routes that needed to be taken. The quilts came out in a certain order to ensure the code was followed. The last quilt shown was the quilt that had the tumbling blocks pattern, meaning it was time to move.
The names of the quilts were also used to safely talk about escaping while in earshot of their overseers. Terms like “around the world” took on new meaning thanks to the quilt code[7]. The slaves code allowed them to share the knowledge that they gained through the grapevine. Coded directions like “around the world”, which means to walk around the Appalachian Mountains, were key to the success of the Underground Railroad because the directions were able to be kept hidden from the overseers.
Besides the patterns, the stitches themselves held valuable information for the slaves including distances to safe houses and other key landmarks on the slaves journey to Canada. Once again, this information was only known to slaves and was easily hidden from the slave owners. The use of stitching is another tie to African tradition as quilts in Africa featured stitching to hold the filling. Another key part of the journey that was influenced by African is the zigzag pattern that the safe houses were set up in. Many African cultures believed that nothing good traveled in straight lines and this is shown in the pattern of safe houses along the Underground Railroad[8]. These little details allowed the slaves to remain true to the homeland that they were torn from unwillingly, forced to move to a strange land to work under horrible conditions for nothing in return.
The power of the quilts and of the Underground Railroad was is was a concentrated act of resistance that was aided by those who had been freed before. There were coded messages that harkened back to different cultures in Africa and different African American societies in the United States. The power of the quilts was that they took components of their homeland and allowed them to use those components to help guide the marooned slaves to freedom.
 The use of songs like “Follow the Drinking Gourd” added another layer to the coded messages of the Underground Railroad. The quilts did not travel with the marooned slaves; they stayed on plantations and were used as a way to train the mind to remember the journey before hand. They were used a mnemonic devices to help the marooning slaves remember their route[9]. Song was used in the same way. “Follow the Drinking Gourd” provides explicit instructions on what path to take to Ohio and even how to cross the Ohio River without drowning. Much like the quilts, music allowed for the memory of these instructions through mnemonic device. “Follow the Drinking Gourd” has become a well-known African American folk song, helping to create the unique culture that the community harbours today.
 The two different forms of mnemonic devices share a lot of similarities. Both “Follow the Drinking Gourd” and the quilts place an emphasis on the North Star. The North Star represented the direction that they had to walk to reach freedom. The quilts and “Follow the Drinking Gourd” reference the North Star repeatedly. In fact, the drinking gourd is a reference to the Big Dipper, a constellation that is apart of Ursa Major, which is found by finding the North Star. The importance of the North Star as a navigational tool is one that goes back centuries before it became a key part of the navigational methods employed by marooned slaves to reach their destination. The North Star is a key symbol unto itself when it comes to the Underground Railroad.
Although the end game of all slaves on the Underground Railroad was to reach Canada, their key destination in the United States of America was Cleveland, Ohio. The quilt code was used to communicate the importance of Cleveland through the cross road pattern[10]. The quilt signified the crossroads that the marooned slaves had reached. All of a sudden they were a boat ride away from freedom and the most dangerous part of the journey was over. No longer were they traveling through the southern states where being caught meant going back to the plantation that they ran away from and being punished for their actions. The journey was all but over for the marooned slaves once they made it to Ohio because Ohio was a free state. Cleveland was the city that was chosen for the final crossing into Canada because Cleveland is a port city that borders on Lake Erie; one of the four Great Lakes that is shared between Canada and the United States of America. The passage over Lake Erie was the final passage before reaching freedom. That final passage, a boat ride across Lake Erie, was taken at night when it was harder to see other boats to ensure that the marooned slaves would remain safe from capture for the last part of their journey to freedom[11].
The use of coded messages in quilts and in songs as a means of communication for the Underground Railroad is one of the silent ways that slaves protested their enslavement. Their quiet act of resistance, building a community to aid in the marooning of slaves to a free land, was a powerful message much like the infanticides and suicides that took place on the passage over. The use of silent protests as an act of resistance is a pattern seen time and time again in the slave movement. The silent protest that the coded messages of the Underground Railroad represents goes beyond the resistance of slavery and into holding onto a culture that the slave trade was actively trying to destroy.  By using the art of coded messages in quilts to allow the traditions of the slaves’ African homeland to stay with them in the United States, even when it seemed like it was not allowed. The small ways in which the slave community tried to preserve their heritage was an act of resistance. By not giving up their traditions entirely, the slaves were not allowing their traditions from home to be stolen from them entirely. In their own silent way, the slaves were protesting their enslavement in every way possible.
The Underground Railroad was a way that slaves were able to fight for themselves and for each other. They would work together to help slaves escape. The quilt code was used on the plantations as a way to help prepare the slaves for escape. Different quilts gave them different sets of instructions on how to prepare for their escape. The Underground Railroad became a community for the slaves, allowing them to work together to get members to Canada where they were free. Former slaves who had received manumission were apart of this community, helping the marooned slaves moves safely through dangerous territory to help them reach the free state of Ohio. The coded communication system that the slaves created was part of the community.  The code traveled through the slave grapevine, allowing the slaves to be connected, even when on different plantations. There were even people who visited the plantations that helped the slaves by giving them information on the surrounding geography. The Underground Railroad, with its coded messages and symbols, became a powerful community of marooning slaves, freed slaves, and white sympathizers who worked together to help slaves reach freedom. Together, they achieved just that.
The Quilt Code and “Follow the Drinking Gourd” represent far more than just the route of the Underground Railroad to Canada. Both coded messages carried in them ingenuity in extenuating circumstances that would have left many helpless to the atrocities that the slaves were facing. Under these conditions the slaves, along with freed slaves and white sympathizers, a way of slaves reaching Canada and freedom was developed. The slaves were able to turn everyday objects into a system of communication that helped the slaves move towards freedom in Canada. By building the system in a way that the plantation owners and the overseers could see the codes without knowing that they were looking at anything beyond a quilt being aired out speaks to the daring nature of the slaves. The slaves had to be brave to escape. They had to be willing to risk everything to have a chance at freedom. The story of the slaves quest for freedom does not end with the open use of the coded messages and what they meant, it continues on through the connections to different beliefs in Africa and how those beliefs influenced the making of the quilts. The story of the quilts on the Underground Railroad and the lyrics of “Follow the Drinking Gourd” point to a connection to the culture that the slaves had been taken away from when they were captured to journey to the United States was found throughout the coded messages and even in the set up of the safe houses on the Underground Railroad harkens back to old beliefs held by some African cultures. The connection, no matter the outside influences that were projected onto them by groups and traditions formed in the United States, were still a form of preservation of a culture that was being ripped away from the slaves. The knots that help hold the stuffing in place were an African influence. The use of the number five and zigzag patterns when tying the knots. All of these symbolize influences from Africa; influences that helped preserve the culture that the plantation owners were trying to eliminate. The slaves never allowed everything to be taken from them and they fought back. Slowly. Meticulously. Purposefully. They fought back until they were able to gain freedom. First by escaping silently after weeks of preparation: slipping away and running through the night until they reached Canada. The journey was treacherous. It was risky. It helped build a community where there was not one because of the dangers. The Underground Railroad, built to help slaves escape their misery and journey to Canada became part of a greater community built around innovation and secret codes that allowed the slaves to communicate within earshot of their overseers; to plan how to best escape. With the help of the quilt code and songs like “Follow the Drinking Gourd”, enslaved Africans were to preserve the culture that they were stolen from and form a community that spanned across plantations.
  



[1] George and Willen Hendrick, ed., Fleeing to Freedom. (Chicago: Ivan R. Dee, 2004) 3
[2] Raymond G. Dobard and Jacqueline L. Tobin. Hidden in Plain View: The Secret Story of Quilts and the Underground Railroad.  (New York: Random House, 1999) 55
[3] NASA Quest. "Explanation of "Follow the Drinking Gourd"."
[4] James B. Kelley, “Song, Story, or History: Resisting Claims of a Coded Message in the African American Spiritual “Follow the Drinking Gourd” Journal of Popular Culture 41 (2008): 264
[5] Dobard and Tobin Hidden 39
[6] Dobard and Tobin Hidden 68
[7] Dobard and Tobin Hidden 90
[8] Dobard and Tobin Hidden 78
[9] Dobard and Tobin Hidden 73
[10] Dobard and Tobin Hidden 98
[11] Fergus M. Bordewich Bound for Canaan: The Underground Railroad and the War for the Soul of America. (New York: HarperCollins, 2005) 190

Tuesday 2 December 2014

Holding on, never letting go.

"Gotta hold on easy as I let you go/Wanna tell you how much I love you, though you say you already know."- Tim McGraw, My Little Girl
I was 12 and I heard my parents talking down the hall. I stumbled out of bed because it was Christmas Eve morning. My mom got my sister as well and told up that out Baba had died. I cried. I cried because I never really knew the lady. She had a massive stroke when I was young and the personality that everyone remembered her having was gone. My mom went over to help my grandpa. When she got there, his friends had come over to drink coffee with him. We went over with our dad later and the air hurt. There were no words to share; instead we sat in the heavy silence and tried to eat the meal we all knew so well.

I was probably no older than 5 and at my grandparents. I was wearing an orange sundress. My baba was cooking something and I was sitting on the counter top. I don't know what we were doing, but I remember it was during the day. Maybe we were making supper. Maybe we were making lunch. The memory is blurred, yet clear. It is the only memory that I have of my baba before her stroke.

My memories of my grandparents surround my grandpa caring for my baba. Making sure she had food and was comfortable. He helped her. I remember my mom going over to help him make the first Christmas dinner he ever had to make. He had changed a lot that year. From New Year's Eve in 1997 or 1998, my grandpa became the main cook and caretaker for everything in the house. He became in charge of everything from food to paying bill. He did well.

Ever since that time, I have fought to hold onto basic traditions that seem minimal. My grandpa still buys pyjamas for his grown up grandchildren on Christmas Eve. At first I think it was so the traditions would stay the same, now I think it is a coping mechanism for my grandpa as Christmas is a really hard time of year for him. New Year's Eve was when my baba had a stroke and Christmas Eve was when she died. Christmas is never easy. Christmas is hard. Christmas is harder for my grandpa than anyone else. The pain remains to various degrees for everyone in the family. It is harder for my grandpa now that he has moved into an apartment and my cousin and her family live in his old house. We still go there on Christmas Eve for food and laughs. My grandpa sits quietly because it still hurts. It is the house where he raised his kids; the house he lost his wife in. It's hard.
In my room I have to delicate grip balls. They were for my baba's therapy after her strokes. I don't know how much she used them, but they were hers and I did not know her that well. My mom saved them for me when my grandpa went to move. They are something though. Something tangible that I need. It is something that I can hold onto because it is a reminder of what I remember; a lady who could not remember who I was, but loved me dearly.